Tuesday, December 31, 2013

Photo of Johnny Manziel

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Johnny Manziel Suspended For One Half Of One Game, Autograph Scandal Over


Johnny Manziel will be suspended for the first half of this Saturday's Rice game, according to Billy Liucci of TexAgs and confirmed by a bunch of other media outlets.
ESPN's Brett McMurphy reports that the suspension "closes the book" on the Johnny Football autograph scandal, and that the NCAA is acknowledging that he never sold his autograph.

If the NCAA found that he accepted money for autographs, the penalty would have been longer.

According to Liucci, they could be punishing him under a secondary violation for allowing the use of his name for a commercial purpose.

It's also possible that it's an internal punishment from the school itself. We'll have to wait for the official release.

Bottom line: It looks like Johnny Football is avoiding any major penalty.

Dick Clark Dies at 82

American television host, producer, and actor Dick Clark.

Hollywood has lost one of its greatest emcees.

Dick Clark died at age 82 in Los Angeles following a massive heart attack, TMZ reports.

The hugely successful TV producer and TV and radio host reportedly checked into an L.A.-area hospital late Tuesday, and suffered a heart attack during what TMZ calls an "outpatient procedure."

Other details surrounding his death were not yet available.

Clark had a stroke in 2004, and stepped down from New Year's Rockin' Eve, which he launched in 1972. Ryan Seacrest took over hosting duties for the special shortly thereafter. In addition to New Year's Rockin' Eve, he hosted such shows as American Bandstand, the gameshow Pyramid and TV's Bloopers and Practical Jokes. Among his many honors are four Emmy Awards, a Peabody Award and inductions into the Rock and Roll Hall of Fame, the Hollywood Walk of Fame and more.

He is survived by three children and his third wife, Kari Wigton.

MSNBC'S Melissa Harry-Perry On Her Natural Hair

Melissa Harris-Perry wears many hats. She's a wife, mother, professor, author and political commentator. She graduated from Duke University (the same department as Hubby!) and taught at Princeton and the University of Chicago before moving on to Tulane University, where she is currently a professor of Political Science. Several weeks back, she landed her own show on MSNBC! The icing on this magnificent cake is that she's doing all of this in twists! Enjoy!

CN: What sparked your decision to go into academia?
Certainly the fact that my mom got her PhD. She didn't go into the academy, but she was always sort of an academic in very many ways. Her older brother was a college professor, my dad was a college professor and his twin brother was a college professor. And although it's not like people sat around and talked about being college professors per se, it was certainly in the family that way. I did one year at a Masters of Public Policy program and that was enough to convince me that I wanted to be an academic. It was a great and I learned a lot, but I really wanted the time and space to ask the good questions. I didn't want the pressure of putting it all in a spreadsheet and finding 'an answer'. There isn't one answer to those problems... there are lots of answers and they're all complicated! I had a lot of great college professors and parents who were good models of being able to make a life in academia and then obviously also, my own desire.

CN: Tell me about your natural hair journey.

For years, I wore my hair permed for 6 months out of the year, basically during the academic year. And then, around April or May, when the semester was over, I'd put it in braids for the entire summer up until September. I found it easier to travel, easier to swim and easier to manage the heat and humidity in the South and then I'd go back to the perm in the Fall. So I was always on a 6 months on, 6 months off schedule. As a matter of fact, if you look at those early years of me on TV, you'll see that sometimes my hair was in braids and other times it was in a perm. And then in 2008, I lost my battle with fibroids. I had been battling with fibroids for years and finally had a hysterectomy in the summer of 2008. After I had that hysterectomy, my body changed in a thousand different ways. One of the things was that my hair went gray. I think it brought on some aspects of premature aging. I thought, 'oh, no big deal, I'll just color it'. So if anybody was watching, they'd see that in about 2009 or so, I was wearing my hair permed, but a lot shorter. I was coloring it and perming it, and you know what the next part of that story is [laughter]!

In 2009, my now husband started running for office so I decided not to braid it that summer, in part because sometimes people have a lot of notions about braids, so I lost my 6 months off rest period and by the end of 2009, the start of 2010, my hair was absolutely terrible... I had never seen my hair like this. It was brittle, dry and breaking everyday. It was bad. I felt bad about how I looked... I felt terrible about the shape that my hair was in. And so at that point, I made a decision going into 2010, that I was going to get my health back from all the things that had happened with the hysterectomy, all the stress of my husband's campaign. So I said, 'this is my year to get healthy'. So I started running, I started watching what I ate, not so much limiting what I ate, but really eating more fruits and veggies. I was really being careful about the quality of food I was eating and a part of that journey was the decision that I wanted to go completely natural.

Being that I'm on television, I'm in the unfortunate position of not being able to just go though the awkward phases that you have to go through. So I started twisting it and have been in twists now almost two years. I cut the perm completely out and probably have 6 or 7 inches of natural hair. I plan to continue to wear it in twists for another two years until I get it at a length and volume that I can manage, and probably do the big reveal at that point [laughter]... maybe my show won't even be on the air anymore! It's been a real consideration for me to figure out how to make that transition to natural hair, while at the same time needing to maintain the consistency of being on television. So the solution has been to wear the twists.

CN: How do you maintain your scalp health? What do you do for your real hair in between sets of twists?

It's very funny actually. I just had to revisit this. Typically what I would do is take a week off between twist sets. But now with the show and my teaching schedule, it's difficult to find 3 days anywhere. I can't exactly explain this to the white folks I work for... that I need 3 days to take my hair down... a day of rest and then put them back in. But seriously, I'm like, this has to happen, I have to be able to have that time. That's actually what I do, sit down and look at the calendar.

Typically what I would do is take them out for a week and give my hair and scalp a rest. Even when I'm in the twists, since I'm running, I get a lot of build up, so once a week I wash it with a tea tree oil shampoo or something else that is specifically meant to treat scalp build up. I use a lot of Carol's Daughter products. I use the Hair Honey and the revitalizing/penetrating spray. When I use them, they're great, they make the twists look great, but after 4 days I'll realize that I have some build up and need to wash.

CN: Advice for success and achieving your goals?
Well, I'm always so reluctant to give advice because the single most important thing about success is that everybody's pathway is so different. I hate the idea that everybody has to march in line for that one thing... that there is only one way to get there. It feels inauthentic. If I had to give one piece of advice, it's that you have to be really comfortable with failing. Because the only possibility of reaching whatever success means for you, will require taking risks. Sometimes those risks are going to pay off and be great, and other times they are going to be really spectacularly painful, and sometimes public failures. And also sometimes, you'll have to deal with lots of criticism from people that you care about. It can be hard to take those really, really tough hits. You can't always take it as, 'oh, they're just haters and I don't even care', you have to actually take them and listen to them. 'Cause sometimes, even when somebody is hating, they're right. It's completely plausible that they're hating and 50% of what they're saying is absolutely accurate. So you have to learn to be comfortable with your own imperfections and try to figure out how to take the useful criticisms even out of the things that seem like they're hateful.

CN: Tell me about your new show and airtimes.

We are on MSNBC, Saturdays and Sundays 10am to noon eastern time. And this is my fourth weekend coming up. The name of the show is 'Melissa Harris Perry', which cracks me up. I was like, couldn't we call it 'The Melissa Harris Perry Show'? It's completely nuts but it's very easy to remember. I'm not sure whether or not people are going to like what we're doing. For me, the joy of what we're doing is that I find it exciting... the opportunity to take so many issues, the topics I care about and bring it to a wider audience. I think it's yet to see if the wider audience cares about what I care about! [laughter] We're learning and figuring that out. But I have an absolutely, incredibly brilliant staff. They are very committed and very hard working and really helping me to walk through this whole process.






Q&A: Rapper Macklemore talks thrifting, hip-hop and politics

Macklemore & Ryan Lewis will perform tonight to a sold-out crowd at the Ackerman Grand Ballroom.
On Sunday night, more than 700 UCLA students took over the back of Pauley Pavilion, shivering in below-50-degree weather, trying to keep themselves warm with tents, blankets and impromptu hookah sessions. The reason? Free tickets to see Macklemore & Ryan Lewis tonight at Ackerman Grand Ballroom.
The creative force, which has Macklemore rapping and Lewis producing and DJing, is currently touring to promote “The Heist,” which reached the top spot on the iTunes album chart within hours of being released. “Thrift Shop,” the first single off the album, is currently No. 2 on the Billboard Hot 100 and has college kids everywhere poppin’ tags. Macklemore talked to the Daily Bruin’s Anneta Konstantinides about the autobiographical nature of his album, his future political plans and just what UCLA students can expect tonight.
Daily Bruin: You’ve had huge success with “The Heist,” and most especially with “Thrift Shop,” which, at least in terms of subject matter, is pretty different from the other songs on the album. Where did you find inspiration for the song and what prompted you to write and include it on the album?
Macklemore: “Thrift Shop” just comes from my life. I’ve been into thrift shopping since I was a kid and it’s what makes me who I am, and I think that, in terms of that fitting into the album, every song I write, it comes down to me sharing it honestly and openly and being real with me. I don’t think there’s many records on the album that sound alike – I think what makes it cohesive is the fact that there’s such diversity and range within the song.
DB: What was your last thrift shop purchase?
M: I found a Seahawks starter jacket yesterday, actually. A jacket that I’ve been looking for for a long time, so that was a great find.
DB: Why do you think “Thrift Shop” has been such a hit? It’s all over the radio, it’s playing at every frat party.
M: I think that “Thrift Shop” has been successful because, for one, there’s a great video to accompany the music. The music is catchy – it’s fun, it’s different. Everyone is rapping about how much money they spend on things, and this is a song talking about spending less, and in general I think that’s exciting for people. It’s different, it stands out. And you know it’s just a record that’s catchy and fun, and when you have that combination of something that’s different, along with something that makes sense in a pop world, it has the potential to be successful and catch on, and that’s what “Thrift Shop” has done.
DB: “The Heist” is so personal and autobiographical. Was it difficult to write? What was your writing process like?
M: Yeah, there were parts that were definitely very difficult – you know, things that I got stuck on in terms of writing. But inevitably, you have that breakthrough process too, which then that verse or that beat turns into a song, and Ryan and I are both perfectionists and it takes us a long time to craft a record that we make, but we usually stick it out until it’s at a point that we’re both really happy with. But there’s definitely points of stagnation and writer’s block along the way.
DB: Do you see yourself being very autobiographical in your future work and writing about your life, or do you see yourself changing it up?
M: I think that what makes me unique in my voice is that I do share what I’m going through in life. Could I switch it up? For sure, but it tends to be my strong suit in writing to speak from my own personal experience – that usually is the writing I’m most happy with. But I’m open to whatever in the future. And I want to write a movie. … I just thought of it this morning. I kind of want to write a comedy – that’s the genre, but I won’t reveal the subject matter yet. It’s like four hours old.
DB: Your career’s taken off pretty full speed ahead this year. What would you say has been the best part of the ride?
M: The best part of it is just watching it spread and having every week something new and exciting happen. There’s always new developments; there’s a bunch of things coming up this year that I’m really excited about. There’s been performing on “Ellen,” and “Jimmy Fallon,” and selling out our entire tour, and watching the success with “Thrift Shop” on radio, which we never anticipated. It’s tough to really boil it down to one thing, but overall just the music, just connecting with people and the reception that “The Heist” has got and continues to get as a piece of art, which is first and foremost the most important. “Thrift Shop” has obviously done well, and that’s exposing us to a new group of people at kind of a rapid rate at this point. But the thing that is most exciting is I think that we made an album I really believe in, that is a great piece of art and that people like.
DB: What’s your collaboration process, like with Ryan? How do you guys work together and go about making a song together?
M: I met Ryan after his entrepreneurial hot dog business folded at his high school. He actually had a truck that he used to sell hot dogs out of at lunch, and when that business folded he turned to music. And I watched him get better throughout the years. We started collaborating, and our process is really just sometimes Ryan makes a beat, and it’s usually like the skeletons of the beat – I write to that. I bring what I’ve written to Ryan, he critiques it. Sometimes I write first, no beat, and then Ryan makes a beat around it. But everything is very much collaborative; we do everything together.
DB: What’s been one really great memory so far from being on tour?
M: I got flashed once … that was a low point. But a high point would have to be watching Ryan Lewis jump from numerous balconies at venues – he’s a daredevil. He’s the Evel Knievel of rap.
DB: Can we expect any stunts from Ryan today?
M: You can expect stunts: somersaults, cartwheels, stage-diving, crowd-walking, high-fives, low-fives, pounds and hugs.
DB: Your music takes a huge detour from a lot of the stuff that’s on Top 40, where rap artists are talking about popping Molly and drinking in the club. Is that something you hope to see more of in the genre?
M: Hip-hop’s current fascination and obsession with Molly in songs is really played out. In 2013, I think people need to start rapping about acid or mushrooms, but no more rapping about Molly, no more synthetic ecstasy raps. That’s done. I think drugs are a huge part of American culture and that we’re probably not ever going to get over that with the music, because music is an escape – just like drugs are. And glorifying drugs in a way sells. When you go to the club, you don’t want to hear an anti-drug song or a song about sobriety. But there’s a balance and we’ve crushed that threshold, and popping Molly in 2013 needs to end, or at least people rapping about it. Do some ’shrooms … if you’re going to do drugs in the club.
DB: Your song “Same Love” is very political – do you see yourself writing more songs in that vein? And what made you want to write “Same Love” in the first place?
M: Yes. I don’t know what it’s going to be about, but yes. Watching the intolerance and lack of compassion, the unacceptance that’s plagued hip-hop throughout my entire life. Eventually, I just decided that this was something I wanted to take on, that I wanted to hold my community accountable, that I wanted to be honest and speak the truth, which is that human beings are equal. It’s time that we treated everyone that way.
DB: I read recently that you’re planning on running for mayor in 2025 for Seattle. Is this for real?
M: Absolutely. I’m running for mayor in 2025. My campaign was announced, my candidacy … that’s a weird word, I got to learn that by 2025, my candi– that thing, was announced maybe a week and a half ago. I’ve been selecting a team, a political advisor, a masseuse … pretty much just the political advisor and masseuse so far, but the team is getting orchestrated. We’re going to bring democracy back to the people of Seattle.
DB: Is there anything else you want to tell the UCLA community before the concert today?
M: I think it’s very cool that I saw a bunch of pictures of people at UCLA in tents. That impresses me, UCLA. I’m very impressed, very excited for the show, and we are going to have a party.
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